1. Find an enlarger you like, set the timer to 3 seconds
2 Place
the negative to be enlarged in the negative carrier of the enlarger. Turn the enlarging lamp on, and the lens set at maximum aperture,
adjust the height of the head (BE SURE IT IS UNLOCKED) so that the image fills the size of the easel you intend using.
3 Focus
the image, using a grain focuser, so that the picture
looks sharp on the baseboard. You may have to re adjust the head if the
focusing action has now made the enlarged image area bigger or smaller
than the paper area.
When you use a focus finder it magnifies the grain so it is easier to see when the image is sharp. You will see the grain structure when the image is perfectly focused.
5 With the correct exposure determined, place the sheet of printing paper in the enlarging easel, or position it on the baseboard. If your enlarger has a red filter you can swing this under the lens and switch the enlarger on to help position the paper.
6 Make
the exposure and when done transfer the paper into the developer. Make
sure it is submersed quickly so the whole print gets similar and even
development. The print should remain in the developer for two minutes. Agitate the
developer gently.
7 When
developed the image is visible, but not stable. The print then needs
transferring to the stop bath for about 30 seconds. Its still not
stable and the paper is still light sensitive. Agitate.
9 Once washed (about three minutes for resin coated and 30 minutes for fibre based papers) place the print in a drying rack, hang it up or lay it flat to dry.
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